LA Film Forum Logo

Experimentations 17: Resisting Western Science’s Colonial Mandate: Rock Bottom Riser

Experimentations 17: Resisting Western Science’s Colonial Mandate: Rock Bottom Riser

Rock Bottom Riser

Los Angeles Filmforum presents
Experimentations: Imag(in)ing Knowledge in Film, Program 17
Resisting Western Science’s Colonial Mandate: Rock Bottom Riser

Sunday, February 2, 2025, 7:00 pm

At 2220 Arts + Archives, 2220 Beverly Blvd., Los Angeles CA 90057

In Person: filmmaker Fern Silva

The screening will be preceded by a panel at 5:00 pm with Riar Rizaldi, Fern Silva, and Jheanelle Brown and by a free dinner.

Tickets: $15 general, $10 students/seniors, free for members, $20 for both screenings today.

Rock Bottom Riser is an essential document and an exhilarating tour-de-force, a palimpsest that traverses geology, ethnography and astronomy. Silva's feature is preceded by Telengut’s short which expands on the West’s concept of indigeneity while also putting forth the indigenous Mongolian and Siberian belief in animism as a way to nourish our world.

Curated by Jheanelle Brown. 

Jheanelle Brown, Los Angeles Filmforum board member is Project Director and Curator, leading project management, offering scholarly and curatorial guidance to project scholars, developing several film programs, developing the overall curatorial framework of the film series, and serving as co-editor of the resulting publication. Jheanelle is a film curator/programmer, lecturer, and arts administrator based in Los Angeles whose curatorial practice creates frameworks to explore the boundlessness of Black life in experimental and non-fiction film and video. She is currently Special Faculty at California Institute of the Arts. She has co-curated Time Is Running Out of Time: Experimental Film and Video from the L.A. Rebellion and Today and the traveling film showcase Black Radical Imagination: Fugitive Trajectories from 2018 to 2019.

Experimentations: Imag(in)ing Knowledge in Film is Filmforum’s expansive film series and upcoming publication that investigates the ways that experimental and scientific films produce and question the visualization of the world.  Combining artist films utilizing scientific imagery, science and natural history films, and films of indigenous and traditional knowledge, the series examines how science, nature, and technology films shape our understanding of humans, nature, gender, knowledge, and progress.  The multi-venue public screening series presents analog and digital time-based media incorporating diverse scientific and experimental film traditions from across the globe.  The series will include eighteen screenings between September 2024 and February 2025, with films and digital works from 1874 to today from around the world, multiple guests, panels and wonderful collaborations that will reveal the possibilities and circumstances of cinema in this realm.

 Experimentations: Imag(in)ing Knowledge in Film is among more than 70 exhibitions and programs presented as part of PST ART. Returning in September 2024 with its latest edition, PST ART: Art & Science Collide, this landmark regional event explores the intersections of art and science, both past and present. PST ART is presented by Getty. For more information about PST ART: Art & Science Collide, please visit: pst.art.  

Major support for Experimentations: Imag(in)ing Knowledge in Film is provided by the Getty Foundation and The Andy Warhol Foundation for the Visual Arts.  Additional Support from the Los Angeles County Board of Supervisors through the Los Angeles County Department of Arts & Culture, and the Department of Cultural Affairs, City of Los Angeles.

The Fourfold film still 3 smaller

The Fourfold

The Fourfold

By Alisi Telengut

Canada, 2020, digital, color, sound, 7:14

Based on the ancient animistic beliefs and shamanic rituals in Mongolia and Siberia narrated by my grandmother, an exploration of the indigenous worldview and wisdom. Against the backdrop of the modern existential crisis and the human-induced rapid environmental change, there is a necessity to reclaim the ideas of animism for planetary health and non-human materialities. - AT

Alisi Telengut is a Canadian artist of Mongolian roots, living between Berlin, Germany and Tiohtià:ke/ Montréal, Canada. Her work has been screened and exhibited internationally, such as at the Whitney Biennial (USA), Academy Museum of Motion Pictures (USA), Sundance Film Festival (USA), TIFF (Canada), Annecy International Animation Festival (France), Biennial VIDEONALE at Kunstmuseum Bonn (Germany), OSTRALE Biennale (Germany), Anthology Film Archives (USA), UNESCO World Heritage Site Zollverein (Germany), among others. Telengut is currently an assistant professor in cinema at Concordia University (Canada) and a PhD candidate at Filmuniversitaet Babelsberg Konrad Wolf (Germany).

Rock Bottom Riser 7 smaller

Rock Bottom Riser

Rock Bottom Riser

By Fern Silva
USA, 2021, 16mm transfer to digital, color, sound, 70 minutes
From the earliest voyagers who navigated by starlight, to present-day astronomers scanning the cosmos for habitable planets, explorers have long made Hawaii the hub for their searching. Today—as lava continues to flow on the island—another crisis mounts as scientists plan to build the world’s largest telescope on Mauna Kea, Hawaii’s most sacred and revered mountain.

In his dynamic feature debut, Fern Silva examines myriad encounters with an island world at sea. Drawing from subjects as seemingly disparate as the arrival of Christian missionaries and the controversial casting of Dwayne Johnson as King Kamehameha, the film weaves a vital tapestry of post-colonialism and pop culture with cinematic brio and a wry wit. Rock Bottom Riser is an essential document and an exhilarating tour-de-force, a palimpsest that traverses geology, ethnography and astronomy.